Here at PSI we highly encourage the use of rich black. We prefer the formula of C-40%, M-30%, Y-30%, and K-100%. The use of it can come in handy across a variety of jobs, and not only does it help the pressmen out a lot and makes for a smoother run, it tends to make the final printed piece look great and "pop" more.
Now in some cases where there's an image with a lot of black built in (say a Photoshop file or JPEG) laying on top of a black background made in Illustrator...
The top left corner is the build (CMYK rich black), and everything else is a placed graphic. This would not be good on press, as there would be noticeable color shifts all over the page (this was a large job).
To alleviate this potential press headache, I had to sample the black in the placed images, copy down the formula of CMYK, then apply that to the background in the Illustrator file. The result now with the Black channel off is...
Beautiful. The pressmen will thank us later.
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